Recently my husband and I rented “Mancora” from Blockbuster online (I know, Netflix is better). I had seen the behind the scenes promotion of the movie on Peruvian entertainment shows while I still lived in Lima. However, I never took the opportunity to go to the local “pirata” market to pick up a copy before I left. I’m glad I saved myself the three nuevos soles.

Instead of writing up the summary or synopsis of the movie, I’ll let the director and cast tell you in Spanish with English subtitles:

The thing that makes this movie pleasing to watch is the Peruvian landscape. Much travel in Peru is concentrated from Lima on down, yet “Mancora” shows foreigners the other less visited side of Peru, and that is its northern shoreline and beaches.

As with any good Peruvian movie, it’s not only the landscape that is captured in picture, but also the gastronomy and music. You cannot have a Peruvian movie without including the most important supporting elements: good food and good, lively music.

I still managed to be culture shocked by the overcharged sexuality that this movie features. No doubt, Peruvians are Conservative Catholics by day, and Liberal Bohemians by night. “Mancora,” in my opinion, feels like a continuation of the “Mañana Te Cuento” movies.

Despite all the makings of Peruvian cinema, “Mancora” feels more French than Peruvian in its story line and pace. It also doesn’t jive with reality, such as picking up strangers on the roadside (Are you crazy? Most likely they’re thieves!), walking around with a fancy camera and not getting mugged, and of course the Peruvian National Police (PNP) being immediately present to break up a drunken brawl at a tono (party.)

So, if you do happen to rent “Mancora” or pick it up at your local Peruvian market, I suggest putting the movie on mute during the dialogue. Watch “Mancora” for the natural scenery and music. Don’t watch it for its French story line and bad acting.

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